Download The Misfit Economy: Lessons in Creativity from Pirates, by Alexa Clay, Kyra Maya Phillips PDF

By Alexa Clay, Kyra Maya Phillips

ISBN-10: 1451688849

ISBN-13: 9781451688849

A publication that argues that classes in creativity, innovation, salesmanship, and entrepreneurship can come from striking locations: pirates, bootleggers, counterfeiters, hustlers, and others residing and dealing at the margins of commercial and society.

Who are the best innovators on this planet? You're most likely considering Steve Jobs, Thomas Edison, Henry Ford. the standard suspects. This publication isn't approximately them. It's approximately humans you've by no means heard of. It's approximately people who find themselves simply as leading edge, entrepreneurial, and visionary because the Jobses, Edisons, and Fords of the realm. They're within the crowded streets of Shenzhen, the prisons of Somalia, the flooded coastal cities of Thailand. they're pirates, desktop hackers, pranksters, and previous gang leaders. around the globe, assorted innovators working within the black, gray, and casual economies are constructing suggestions to a myriad of demanding situations. faraway from being "deviant entrepreneurs" that pose threats to our social and fiscal balance, those innovators demonstrate amazing ingenuity, pioneering unique tools and practices that we will be able to study from and practice to maneuver formal markets. This ebook investigates the tales of underground innovation that make up the Misfit economic climate. It examines the teeming genius of the underground.

It asks: who're those unknown visionaries? How do they paintings? How do they arrange themselves? How do they catalyze innovation? And eventually, how are you going to take those classes into your personal world?

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Extra info for The Misfit Economy: Lessons in Creativity from Pirates, Hackers, Gangsters and Other Informal Entrepreneurs

Sample text

Evidently, Confucius disapproved of something about the way the ritual was performed book three • 28 understand all the affairs of the world as if they were displayed right here—and he pointed to his palm. 12 Sacrifice as if they were present means to sacrifice as if the gods were present. But the Master said, If I can’t take part in the sacrifices, it’s as though I haven’t sacrificed at all. 8 What does this mean? The Master said, Not true! 9 14 The Master said, Zhou surveyed the two dynasties that went before, its ways are refined and elegant.

How can he be called a man of firmness? 12 Zigong said, What I don’t want others to do to me, I want to avoid doing to others. The Master said, Si (Zigong), you haven’t gotten to that stage yet. book five • 38 13 Zigong said, The Master’s views on cultural and emblematic matters—these we have heard. But his views on human nature and the Way of Heaven—these we have never been able to hear! 14 When Zilu had heard something and had not yet been able to put it into practice, his only fear was that he might hear something else.

1 2 3 4 According to Zhou ritual, only the Son of Heaven was privileged to have eight rows of dancers in the ceremonies in the courtyard before his ancestral temple. Persons of lower rank were expected to have a lesser number. The Ji families were ministers to a feudal lord and hence considerably lower in rank, yet they usurped the rites of the supreme ruler. Confucius sees this as an indication of social disharmony and moral decay. Book of Odes, no. 282. As the lines quoted by Confucius indicate, it was intended for use in sacrifices at which the Son of Heaven and the great feudal lords were present.

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