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Cultural estate and restitution: the theories of cultural nationalism and cultural internationalism -- foreign conventions -- ecu Union legislation -- different resources of legislation and the function of foreign companies -- Dispute solution in cultural estate situations -- Evolution and easy tendencies
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Cultural estate and restitution: the theories of cultural nationalism and cultural internationalism -- foreign conventions -- eu Union legislation -- different assets of law and the position of foreign firms -- Dispute answer in cultural estate instances -- Evolution and uncomplicated traits
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Additional info for Cultural Property Law and Restitution: A Commentary to International Conventions and European Union Law (Ihc Series in Heritage Management)
These countries (at the beginning of the nineteenth century), after having emerged from these circumstances or after having gained their independence, started claiming back their lost treasures in an effort to reconstruct their national identity. This new state of affairs contrasted with what had been going on for several years, and was to a certain degree feeding the former situation: the high demand in Europe and other developed countries for antiquities and artefacts in general by private collectors and museums.
Significantly it was one of the most contested points in the Convention. Article 1 contains a general definition and an enumerative one, both of which complement each other. According to this article, ‘“cultural property” means property which, on religious or secular grounds, is specifically designated by each State as being of importance for archaeology, prehistory, history, literature, art or science and which belongs to the following categories . ’. ) singly or in collections; (i) postage, revenue and similar stamps, singly or in collections; (j) archives, including sound, photographic and cinematographic archives; (k) articles of furniture more than one hundred years old and old musical instruments.
English travellers who had visited Greece during Ottoman occupation and designed landscapes). No particular interpretation can be inferred from the use of the term ‘importance’. 19 See also Article 1(1)(b) of the Resolution of the Institut de Droit International (Session of Basel – 1991) ‘The International Sale of Works of Art from the Angle of the Protection of the Cultural Heritage’ according to which ‘country of origin’ of a work of art means the country with which the property concerned is most closely linked from the cultural point of view.