By Michelle Perkins
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Additional resources for Beginner's Guide to Adobe Photoshop
Compare this image with the photographs shown on pages 56 and 60, which have serious color and/or exposure problems. 44 DIGITAL COLOR We looked at some of the basics of color on pages 8 and 9. Now, it’s time to get a little more in depth, learning how the colors in our images are created and how to manipulate them effectively. W hen it comes to tweaking the color in your images, it helps to get a little scientific. Understanding how colors are produced will make it easier to figure out what’s wrong when they don’t look right—and how to address the issue to get better results.
To accomplish these tasks and take control of the colors and tones in your image, one tool you can use is Levels, which lets you make changes to just the midtones without affecting the shadows, or just the highlights without impacting the midtones, etc. The result is a much greater degree of control. The Dialog Box The following is an overview of the features of the Levels dialog box. Don’t worry if the individual elements seem a little abstract—on the next few pages we’ll look at some practical examples that will make everything clear.
At the left is the black shadow slider (2), under the area of the histogram that shows dark tones. In the center is the gray midtone slider (3), under the area of the histogram that shows the midtones. On the right is the white highlight slider (4), under the highlight area of the histogram. The taller the histogram is above each area, the more of the tones in the image fall into that tonal range. By clicking and dragging these sliders, you can change To access the Levels, open an image and then go to Image> Adjustments>Levels.