Download Beginner's Guide to Adobe Photoshop by Michelle Perkins PDF

By Michelle Perkins

Providing new Adobe Photoshop clients with concise, sensible details in this world-standard software program, this publication exhibits photographers the best way to control images for print media and the net. recommendations exhibit photographers easy methods to steer clear of universal error and frustrations whereas developing top of the range, creative photographs, and every subject is damaged down into brief, easy-to-digest sections with transparent, jargon-free discussions and lots of examples. subject matters lined contain uncomplicated picture modifying, choice ideas, utilizing layers, and growing unique art. This version comprises all new photographs and display pictures, lots of that are on hand for obtain from the publisher's website.

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eISBN: 978-1-118-22342-0

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A s with any endeavor, developing a plan of action before diving in will enhance your results. When you scan or open an image and notice that it needs to be color corrected (or if you open it because it needs color help), you’ll need to figure out exactly what the problem is. The following are some of the things you should look for when trying to decide what to do. Shadows and Highlights One thing that can make any photo look less than perfect is the absence of at least some areas of deep black and bright white.

Sometimes clothes and other fabrics are neutral gray (and this can be either light or dark). Shadows on white walls or backdrops are also fairly neutral gray areas. Skin Tones As humans, we are accustomed to seeing human skin tones all around us every day of our lives. Therefore, we all notice it pretty quickly when a skin tone just plain doesn’t look right. We notice problems especially quickly in photos of people we know personally or see on a regular basis. Yet, from time to time, we all see images of people who look jaundiced, or seasick, or like they’ve spent far too much time in the sun.

As the values get higher, the color goes from black, to shades of gray, to white. R0/G0/B0 R102/G102/B102 R178/G178/B178 R255/G255/B255 R0/G0/B255 R0/G0/B175 R0/G0/B100 R0/G0/B50 R100/G100/B50 R100/G100/B100 R100/G100/B150 R100/G100/B200 Only blue (B) is used. As the numbers get smaller, the blue gets darker. The R and G values are constant. As the blue changes, the color shifts from green (weak blue), to gray (blue equal to red and green), to shades of blue (strong blue). 46 EYEDROPPER TOOL As mentioned previously, your eyes will deceive you.

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