By David Kleinberg-Levin
At stake during this publication is a fight with language in a time whilst our previous religion within the redeeming of the word-and the word's energy to redeem-has nearly been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's serious aesthetic conception, but in addition at the considered poets and plenty of different philosophers, in particular Hegel's phenomenology of spirit, Nietzsche's research of nihilism, and Derrida's writings on language, Kleinberg-Levin exhibits how, due to its communicative and revelatory powers, language bears the utopian "promise of happiness," the belief of an earthly redemption of humanity, on the very middle of which needs to be the success of common justice. In an unique studying of Beckett's performs, novels and brief tales, Kleinberg-Levin exhibits how, regardless of inheriting a language broken, corrupted and commodified, Beckett redeems lifeless or demise phrases and wrests from this language new percentages for the expression of which means. with out denying Beckett's nihilism, his photograph of a substantially dissatisfied global, Kleinberg-Levin calls cognizance to moments whilst his phrases all at once ignite and separate from in their depression and discomfort, taking form within the great thing about an austere but joyous lyricism, suggesting that, finally, which means remains to be attainable.
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Additional resources for Beckett's Words: The Promise of Happiness in a Time of Mourning
S. Eliot, with whose work, of course, Beckett was familiar. 139 Even into his later years, and even after much favorable acclaim, Beckett would acknowledge suffering such feelings of frustration, anxiety, and failure.
Approaching language from a perspective totally different from the one that would emerge from logical positivism of the “Vienna Circle,” he sought to reveal and interpret the encrypted, unconscious undercurrents operating in language. His Interpretation of Dreams was published in 1899; and just two years later, in 1901, he published The Psychopathology of Everyday Life, soon followed by Jokes and their Relation to the Unconscious (1905). Hugo von Hofmannsthal was another of Vienna’s illustrious intellectuals, a poet and writer of novels, essays, and libretti for some of Richard Strauss’s operas.
117 I think that the stories and novels about which we will be reflecting here confirm this diagnosis. However, the present situation is actually worse than Lukács believed, because language is suffering much more today than it was in the past: constantly threatened by etymological forgetfulness, overcome by commodification, reduced to one-dimensional tonality, and enduring other types of reification; consequently, it has lost much of its power to express this devastation with compelling conviction, using—unchanged—the inherited forms and conventions of literature.