By Ian Miller, Kay Souter
This ebook makes a speciality of Samuel Beckett’s psychoanalytic psychotherapy with W. R. Bion as a valuable element either one of Beckett’s and Bion’s radical ameliorations of literature and psychoanalysis. the new e-book of Beckett’s correspondence through the interval of his psychotherapy with Bion offers a origin for an innovative reconstruction of this psychotherapy, culminating with Bion’s recognized invitation to his sufferer to dinner and a lecture through C.G. Jung. Following from the process this psychotherapy, Miller and Souter hint the improvement of Beckett’s radical use of medical psychoanalytic strategy in his writing, suggesting the improvement inside of his characters of a literary-analytic operating via of transference to an idealized auditor identified through numerous names, it appears in line with Bion. Miller and Souter hyperlink this pursuit to Beckett’s leap forward from prose to drama, because the psychology of projective identity is reworked to actual enactment. in addition they find Bion’s reminiscence and re-working of his scientific touch with Beckett, who figures because the 'patient zero' of Bion’s pioneering postmodern psychoanalytic medical theories.
This analyzing of Beckett and Bion isn't easily interpretive yet a development that has arisen from a really dynamic approach, choked with speculation and shock. faraway from negating different readings, it provides density to the textured figuring out of those awesome thinkers, every one officially in numerous strains of labor yet joined via what Bion himself may well name a 'reciprocal perception' of psychoanalysis. it really is reciprocal simply because Beckett reworked psychoanalytic pondering right into a literary style whereas Bion reworked psychoanalytic considering into procedure realizing. each one applied a similar item, yet with diversified attentions to various ends. The constitution of the ebook is split into elements. half I starts off with a biographical creation of Beckett and encompasses a dialogue of Beckett’s early metapsychological monograph, Proust. It provides Beckett’s years in psychotherapy, among 1934 and 193, and addresses the institutional contexts during which this psychotherapy happened, and likewise discusses of Wilfred Bion’s background and historical past. half II addresses Beckett’s radical use of loose organization as a literary shape and examines Beckett’s Novellas, the Trilogy, and his inventive transition from prose to drama. It concludes with an exploration of Bion’s theoretical use of his paintings with Beckett.
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Additional resources for Beckett and Bion: The (Im)Patient Voice in Psychotherapy and Literature
It especially piqued William James, who debated Bradley in the journal Mind for nearly a decade. " James argues that concepts are true insofar as they guide us successfully through the sensory flux: "True ideas are those that we can assimilate, validate, corroborate and verify. "17 But he refuses to go the full distance with James by equating truth with instrumental ABSTRACTION AND EXPERIENCE • 35 efficacy. Philosophy, he claims, is an activity pursued for the oretical rather than practical satisfaction: the rational cannot be reduced to the instrumental, the logical to the psycholog ical.
Instead of attending to our deeper psychic states, which are perpetually changing in time, we apprehend a world of discrete and stable objects laid out before us in space. Furthermore, as a result of this habitual neglect of real duration, we become less like "vital" beings who are free and constantly developing, and more like "mechanical" entities ABSTRACTION AND EXPERIENCE • 27 that are determined and remain perpetually the same. We think and act in a practical but highly predictable manner: The greater part of the time we live outside ourselves, hardly perceiving anything of ourselves but our own ghost, a colourless shadow which pure duration projects into homogeneous space.
Bergson also views the intellect as a practical mechanism that censors immediate experience. The intellect is an instru mental rather than a speculative faculty, and its purpose is to replace the stream of sensations with a network of stable and useful concepts. Contrary to traditional beliefs, the intellect is designed not to find a preexisting reality behind the sen sory flux but to project a useful grid upon it: "We do not aim generally at knowledge for the sake of knowledge, but in or der to take sides, to draw profit—in short, to satisfy an inter est.