Download After Effects and Photoshop: Animation and Production by Jeff Foster PDF

By Jeff Foster

"Jeff Foster has created the single essential and definitive creation advisor to 2 of the world's maximum symbiotic instruments: After influence and Photoshop."—Jack H. Davis, coauthor, the Photoshop Wow! books and the way to Wow: Photoshop for PhotographyNothing beats the tight synergy of After results and Photoshop for developing professional-level results, and not anything beats this e-book for exhibiting you ways Hollywood execs relatively use those programs.In this moment version to his bestselling publication, television and film images veteran Jeff Foster offers all-new details on After results 7 and Photoshop CS2—plus improved assurance of blue/green screening and titling, appealing new photographs, and leading edge real-world suggestions for contemporary execs. larger than ever, this must-have reference continues to be the single consultant that exhibits how one can use those superpower courses jointly to accomplish expert results.The DVD comprises construction fabrics, third-party plug-ins and filters, and inventory video. you are going to additionally locate venture records and pictures to compliment each of the book's tasks, which require After results 7 or later.Learn what the professionals be aware of, together with how to:Add intensity in your animation via mimicking actual motionGrab your audience's awareness with artistic movement titlingShoot a fresh blue/green screenApply 3D animation to second imagesRemove backgrounds with blue-screen rubbish mattesRetouch body through body with rotoscopingConstruct sensible composites and locales with matte paintingMake videos from stills by way of simulating 3D digicam motionProduce lifelike results akin to noise, clouds, and smokeNote: CD-ROM/DVD and different supplementary fabrics will not be integrated as a part of publication dossier.

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Additional info for After Effects and Photoshop: Animation and Production Effects for DV and Film, Second Edition

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If you don’t properly organize and name your project files and name the layers correctly, you may end up with a real mess! 1). This will ensure that the layers will remain in the correct order when you import the file into After Effects. I’ve created some real problems for myself by forgetting to do this, and I’ve ended up with Background as my top layer of a 20-layer project! 2). Once the file is imported into your project, you will have a composite layer and a folder that contains all of the individual layers.

Drag the pupil of the eyeball into position approximately where the original was. Create a new layer. Using the Paintbrush tool and a small soft-edged brush, paint the original white highlights on the eyeball. Click the Layer Visibility of the eyeball layer on and off to make sure you’re getting all of the original highlights in approximately the correct positions. 36). This will give a natural glow around the reflected lights on the surface of the eyeball and help to give it a “wet” look. 37 Apply an outer glow to the eye socket to help blend the tissue colors with the eyeball.

Qxd 1/25/06 5:01 PM Page 18 3. Jump to ImageReady to animate the sequence of the light flashing on and off. For a believable effect of the neon light turning on and off, there should be a bit of flicker, which can easily be created in the timeline. 4. Start with the first frame in the Animation palette and make only the “off” layer visible. In the second frame, make the “on” layer visible. 5. Duplicate these two frames three times (creating a total of eight frames—off/on, off/on, and so on). 6.

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