Download Adobe Photoshop Elements 3.0: Photographers' Guide by Chris Tarantino PDF

By Chris Tarantino

Which results are most sensible completed with a movie or camera? Which results are most sensible utilized in a picture editor? "Adobe Photoshop components 3.0: Photographers? consultant" solutions those questions and extra! It cuts correct to the center of the main misunderstood?but simply applied?tools in Photoshop parts 3.0, reading every one from a photographer?s viewpoint. This certain advisor is full of strangely potent examples, uncomplicated to keep on with concepts, and tips that function a jumping-off element to spark your personal creativity into motion. You don?t must be an ace photographer or picture modifying professional. This straight-forward booklet comprises every little thing you should use Photoshop parts 3.0 to augment your pictures with the types of results you respect.

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5. Click OK to apply the flare. 32. 34. Experiment with different brightness settings to achieve different effects. You can also apply the lens flare only to a selected portion of your image to keep the glare from obscuring some parts of the image. 31 The Lens Flare dialog box offers a choice of four different lens types. 32 Elements’ 105mm Lens Flare filter inserts a setting sun into the photograph. 33 The 35mm Lens Flare effect looks like this. 34 The 50- 300 Zoom Lens Flare option produces its own special effect.

Your best bet is to set the Amount and Radius sliders first, then experiment with Threshold to see if you like the results any better. 18 shows my baseball picture after I experimented with the Unsharp Mask filter to optimize the sharpness. The view is still not as good as a front row seat, but then, I didn’t have to pay a lot for my tickets or tote around a mammoth telephoto lens, either. If nothing else, Elements helped me create a souvenir of an exciting game. 18 Elements simulated a long telephoto lens by helping sharpen this tightly cropped image.

13 Cropping the image provides a telephoto effect. 14 This is the sort of picture you can expect to take 380 feet from home plate. 3 megapixels. 15. UNSHARP MASKING Unsharp masking is derived from a conventional photographic technique, and, despite its name, is used to sharpen images. The technique was first applied to images made on 4 × 5 and larger sheet film. In the darkroom, a film positive is made from the original film negative, a sort of reversed negative in which all the parts of the image that were originally black are black, and all the parts that were white are white.

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