Download 3D in Photoshop: The Ultimate Guide for Creative by Zorana Gee PDF

By Zorana Gee

ISBN-10: 0240813774

ISBN-13: 9780240813776

This can be the 1st publication of its sort that indicates you every thing you must recognize to create or combine 3D into your designs utilizing Photoshop CS5 prolonged. while you are thoroughly new to 3D, you will discover the good counsel and tips in 3D in Photoshop worthy as you start. there's additionally a wealth of precise technical perception in the event you wish extra. Written via the genuine specialists - Adobe's personal 3D staff - and with contributions from the superior and brightest electronic artists operating this present day, this reference consultant might help you to create a complete workflow that matches your particular wishes. alongside the way in which, you are going to decide up troubleshooting assistance and recommendation from the specialists and you will be encouraged via many examples of complete colour, unique works of 3D paintings. in case you are already utilizing Photoshop on your electronic paintings and wish to benefit the right way to contain your 3D elements into one workflow, you will discover new methods of operating with Photoshop that you simply most likely by no means knew existed. tips to fast generate attractive 3D extrusions from textual content layers, decisions and extra. Brush up in your portray, texture production and enhancing talents, and the best way to composite 3D to 2nd scenes. you are going to additionally detect the secrets and techniques to making Lenticular pictures. it is all the following during this entire advisor - the following neatest thing to sitting side-by-side with an Adobe professional if you create 3D magic.*Note: 3D performance mentioned during this publication is barely on hand in Photoshop CS5 prolonged *Comprehensive assurance of basic 3D thoughts to get you begun in case you are new to 3D, or to seize you on top of things with the most recent information in case you are a professional seasoned *A supplemental site comprises pictures to perform with, 3rd social gathering program plug-ins, and extra *Includes step by step workflows from a number of the industry's top electronic artists to encourage and tell your personal workflow *Answers to the questions most commonly asked to the Adobe Photoshop 3D staff

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Now let's set the Opacity to 85%: The window becomes brighter red and the shadow gets darker. So, how do I get a bright red (255, 0, 0) shadow? Unfortunately, this is not going to be possible in the current version of Photoshop. With a 50% Opacity you will get a shadow that is 50% the diffuse color of the object casting the shadow. As the opacity increases, the shadow will get darker. As the opacity decreases the shadow will get lighter. However, the color of the shadow will never be the same color as the object that is casting the shadow.

3D objects are often divided into sections where each section can have a different material. 1. Material Library and Browsing Materials Photoshop now has its own material library and presets. By default, Photoshop installs two sets of presets. One default set of materials is heavily 3D in Photoshop. 10004-3 Copyright Ó 2010 Elsevier Inc. All rights reserved. 1 3D Materials Panel. 37 | 3D in Photoshop dependent on using the Ray Tracer to enable its effects. The other set is less dependent on the Ray Tracer as it inherently has less lighting properties.

3. 6 in Chapter 1, we discussed UVs and UV Mapping. Choosing “Reparameterize UVs” uses Photoshop's built-in algorithm for assigning new UVs to your 3D model. It is important to note that this will mean that any textures currently applied to your model will no longer line up in the same place. Also, Photoshop's UV generation algorithm is optimized to create UVs that are good for painting on your 3D model; therefore, sometimes reparameterizing UVs can fix some unexpected painting behaviors. Unfortunately, due to the limitations of the algorithm this means that painting on your textures by opening them will be nearly impossible due to the texture fragments being broken up into many pieces; therefore, it is recommended that you paint directly on your 3D objects if you have reparameterized your UVs.

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